Showing posts with label GoPro. Show all posts
Showing posts with label GoPro. Show all posts

Mar 25, 2013

ROGUE'S BAJA 1000 PROJECT IS WRAPPED











Back in October and November we were working on a hush-hush project for Rogue Fitness.  It started when Steve Sanders, a SEAL in the US Navy, wanted to go back to his childhood roots of riding dirt bikes.  But it wasn't a short cruise through the desert or hills in California, it was the legendary Baja 1000 he had his sights set on.  Rogue commissioned the documentary and off we went.

There were three main locations for this shoot; California, Nevada and of course Baja, Mexico.  We kept the film crew lean at the beginning as as the story begun to unfold, we increased the crew. Initially, on the first location, it was just Steve and I in California.  We then brought on James Masters as a producer.  James had spent nearly a decade filming and following the Baja 1000.  While James and a few production assistants were doing preproduction work during the race week, Tim, Nate and myself were in a helicopter in Nevada filming final bike prep and testing with Steve, Bill Witt, Ryan Sanders and crew.

Most of this film was shot on the Panasonic AF100 with GoPro footage for POV (point of view) and other pepper footage.  Once the race week arrived we beefed up our camera options with a wide variety of cameras.  The diversity of tech is almost comical.  We had 1 RED EPIC, 2 AF100s, 1 Panasonic GH2, 1 Canon 7D, 1 Canon 5DmkIII, 7 GoPro Hero2s and 2 iPhone 5s.

Here's the breakdown of race week.  Bret was stationed at Ensenada, Mexico--the starting line--with a 5DmkIII.  Down south we had three chase teams with a driver and a shooter.  And those teams played leapfrog down the peninsula.  We embedded Tim with Steve's chase crew and James and I shadowed them to sixty miles outside of La Paz.  Brandt, Lynden, Jon and Nate were our other two units.

After a twenty plus minute delay at the pit, Steve got on the bike at 20:00 and started his first leg of two hundred and thirty miles in the dead of night.  Steve and Bill traded the bike three times and Bill rode it to the finish.  Twenty-eight hours after the race started, and one thousand, one hundred and fifty miles later, Steve and the team finished the Baja 1000 fourth in their class. And as Steve put it, "Not bad for the first time."

If you haven't watched the series I strongly recommend it and not just because we made it.  It is really fascinating how much work goes into this race and how fast it is over.  For Steve, the question of what lights to use was a big deal since he would be spending most of his bike time in the dark.  A dark so dark people say it eats light.  They went with Rigid Industries LED lights and half way through the race Steve was completely stoked on how great they worked.

GoPro just released a new video that was shot entirely on the Hero3.  Their film complimented ours well because it focused on trophy truck driver Bryce Menzies ride during his first six hundred miles of the race and then flashes forward to the finish line. Ours focused on Steve in San Ignacio, which picked at mile six hundred and fifty.

If you watch in Steve vs Baja 1000 Episode 4 you'll see their truck narrowly miss Steve from non other than a GoPro we had mounted on Steve's helmet.  Watch for it at 7:29.  You can hear their siren screaming as they go tearing by.

We want to thank everyone who worked on this project.  A huge thanks to Rogue Fitness and their passion to not only building the best, American Made fitness equipment, but to documenting the lifestyles of the athletes they support. A big thanks to Ryan Arciero and Larry Roeseler from Team Herbst, the film units comprised of Todd, Nate, Lynden, Tim, James, Bret, Joh, Brandt, Chris and the two random guys that rode along. And thanks to Score International for putting on such a grueling race.

We've embedded the four Steve vs Baja 1000 episodes here and included GoPro's video that shows the first half of the race.  Let me just say we love how they just let the video live and breath during the race without any music over it.





Sep 27, 2011

Thoughts While Filming/Producing Barrick's 2011 Global Mine Rescue Summit




Two weeks ago, we started filming with Barrick Gold for their 2011 Global Mine Rescue Summit.  We had myself, Nate and Tim on the filming crew and Alisia running photography.  Everything went very smoothly, except for when Alisia missed the bus back to Salt Lake City and we had to buy her a flight last minute. We still love her. ;-)  We shot with two Panasonic AG-AF100's (Tim and I) and Nate ran three GoPro's along with all media management.

The mining industry gets a lot of grief and a bad name from accidents that occur and I've gotta take the mining industry's side on this.  I don't know of an industry that takes safety more seriously.  Barrick Gold is, in my mind, the poster child for safety first.  I don't know how many zeros come after the number they spend on safety but I'll bet they spend more and care more than a lot of other industries.

For example, Barrick invited 60 of its volunteer first responders from their mines throughout the world to the United States for a week of training and instruction.  Two days were spent at the University of Nevada, Reno's Fire Science Academy where they attend an extensive aircraft rescue course and the rest of the time on burn props to help simulate situations and let them hone their skills.  Barrick also split up the group into three for three community service projects in Elko, Nevada.

Another day was spent at the University of Utah's Medical Center getting hands on training and lectures from some of the best doctors, nurses and medical experts in the world.  At one point, they interacted with 3G dummies that talk and give feedback.  I got to be the speaker for a few of the Spanish crews that practiced.  That was pretty fun, but I think I should stick to filmmaking.

My point here is that these are great people that make up great companies and they care a lot about their safety and the safety of others.  They won't put the car in gear before you have your seatbelt on.  They are serious about safety.

My great, great grandfather, James Gatherum, and two of his brothers Thomas, and William Gatherum died in the Scofield Mine, so mining accidents impacted my family a century ago.  It's nice to know there are companies like Barrick that put safety at the front of the to do list.  And they DO a very good job at it.

Stay tuned for a short sizzle of the Summit.
Casket of James Gatherum being loaded onto the Rio Grande Western Baggage car.
James Gatherum with family on a picnic



Scofield Mine Disaster Links
The George Edward Anderson Collection
James Gatherum Casket Image
James Gatherum baby portrait
History of the Scofield Mine Disaster
Names of Miners
Utah History To Go
University of Utah

Aug 18, 2011

Climbing the Grand Teton For My Birthday

Photo: Ron Niebrugge / WildNatureImages.com





This one really isn't going to have anything to do with filming other than I'm glad the only camera I took was a GoPro.  So I recently had  a birthday, the number isn't as important as what I tried to do.  My old friend, Taylor Morgan, challenged me to something rad for my birthday.  I was thinking, go to Costa Rica and chilling he suggested to climb the Grand Teton. 13,770 feet of sheer rock faces, snow fields, large animal life and thin air.

We drove through the night from Salt Lake to get to Grand Teton Nation Park by 1am.  Our goal was to get there by 9pm on Thursday but work keep us both later than expected.  We arrived, started packing our gear and by 1:30am we were on our way with a 22 lb. pack on each of us.

The climb started nice.  The gradual grade of the first four miles was pretty manageable, especially for a dude climbing a 13,770ft mountain cold turkey.  Every mile I found my body complaining about something.  It started with my calves and then my hamstrings, after that my gluteus awesomeness... You get the idea.

The higher we got the slower I went.  As the sun rose and kissed the peaks of the Tetons at 6:40am we were reaching 10,500 ft.  This was where slow became really slow.  We were heading up a snow face, probably 500-600ft of vertical with crampons and an ice ax.  After that, we stowed them and made our way up to the lower saddle, which sits at 11,200 ft.

This is where really slow ends up getting ridiculously slow.  My heart began beating ridiculously fast with every 30 yards and by the time we were at 13,000 ft every vertical foot caused my heart to go into overdrive, taking minutes to calm before the next foot.

At 13,200 feet, just 570 feet from the peak I had to conceded to the mountain.  The last 500 feet required technical climbing with ropes and all over 1,500 cliffs.  I was in no capacity to even attempt such with any tide of safety.  It was a very hard decision but one that had to be made nonetheless.  I was actually very worried that I'd even be able to make it safely back the the lower saddle, let alone the 10 miles down the mountain and back to the car.

At 7:30pm and with a very sore knee and weary legs, we arrived back to the car, 18 hours after we set out.  In all, we ascended 7,200ft, 20 miles round trip and a max altitude of 13,200ft.  So aside from the surrendering short of the goal I did break any other record I had previously had, climbing more altitude, traveling more distance and maxing higher than I ever had, and I did it all in one day, with no prep.

I should give most of the credit to Taylor.  He is a fantastic climber and he is what kept me on the path every mile that I wanted to turn around.  He had a fantastic knowledge of things to eat, ways to handle situation and in the end he took me farther than I ever could have on my own.  And all along the way was my Heavenly Father watching over me.  He's the reason I got as far as I did and made it back safely too.

If you stuck with this and read the whole thing I'd like to offer you a reward so how about a pat on the back.  I'll be returning to the Grand Teton to finish what I started and I hope you're with me Taylor.

Apr 6, 2011

GoPro Goes 3D // Looks Like Wall-E's Lost Cousin, GP-3D

Did you hear the news?  Wall-E has a long lost cousin, who for obvious reasons -- he was lost, didn't make it into the film.  His name, GP-3D.  Also goes by the name of GoPro 3D.  Yup, GoPro has launched it's new 3D camera system.  They claim it to be "the world's smallest 1080i 3D camera".  So unless you work for some secret government agency that is working with another secret alien agency building 3D cameras, their claim sticks.

The new tagline for this little videobot: Professional 3D Made Easy.  They say Combine & Capture // Create & Edit // Share & Watch, little too wordy for me.  GoPro has obtained CineForm Studio and offer it as a free download so you can start your 3D rampage.  Works with old school Red/Blue glasses for Anaglyph displays, electronic glasses for active displays and polarized glasses for passive displays.

Now you can capture and share your best falls, faceplants, wipeouts, and general action sport beatings with everyone...in 3D!  Or if you're into needlepoint...  As long as there's blood and carnage.

UPDATE: Paul posted a link of someone that was either inspired by my post or thinks like I do.  Either way, super funny!  Thanks Paul.  http://twitpic.com/4i1ph7



Highlight Reel after the break.

Mar 26, 2011

Arnold - The Final Countdown



Sent this off to Rogue Fitness right before I came to New Zealand.  This was a piece we did for Arnold and his crew.  It's pretty simple, consisting of Arnold counting down the race, being blown away at the intensity of the athletes and everyone smiling and being stoked.  This was filmed at the Arnold Classic in Ohio a few weeks ago.

We shot this on our new Panasonic AF100 with a Nikon 17-35mm f/2.8 lens using a (I forget the name of our adapter) german adapter.  I love the color spacing on the camera.  The blacks are deep and the image is just superb.  It has texture, character and a richness that is just groovy.  We also stuck a GoPro on Rob Orlando's head as he ran the course.  We had to color correct the GoPro to somewhat match the AG AF100.

For now you'll need to select the link below to watch the piece.

ARNOLD - THE FINAL COUNTDOWN

Mar 4, 2011

Arnold Classic - Day 1

End of day 1 here at the Arnold Classic and what a time it has been. To my right... "if my look doesn't kill you, just the muscles in my face will."  And to my left... "Look how into you we are.  You should totally drink our muscle milk."  The CrossFit exposition is very different. It's cool stuff.  It all is.


First thought, let me say how in love with the AG-AF100 I am.  With the CrossFit workouts we've been filming I've really leaned heavy on the Nikon 17-35 f2.8 and an Olympus 9-18 f4-5.6.  The Olympus is good, but not real fast and when it comes down to it, I really like the way the Nikon lens looks.  Great image.  Good light and depth of field.  I wish it were as wide as the 9-18 or maybe even a little wider but still probably my favorite so far.

We've also used a GoPro and the Panasonic 20 f1.7 its fast - fast and I really like it.  The nice thing with the native Micro Four-Thirds lenses is they have electronic communication with the camera.  Now I just need them with OIS built in (Image Stabilization).  Tomorrow I'm gonna try and use the Nikon 50 f1.8 and the Nikon 20.2.8 as well as a Nikon 28-200 and a 70-300 — probably on a tripod with those two.

Just offloading the last of the footage here so I don't have to teardown only to set it back up at the hotel to process footy.  A few screen grabs.  More to come.
Mrs Muscles

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Rambo (Asian Version)

Best Chump Shirt