Business Expansion and Server Solution // Dilemmas & Suggestions

If you're not a business don't tune out just yet.  There will be some valuable info for you too.  Whether you're a blogging mom, music/movie junky, a small retail business or a larger production studio you've all probably felt the growing pains of digital storage.  You're left with a few option, buy another external drive, try yourself or pay someone to install a larger internal drive, buy a new computer or maybe abandon technology and go back to sticks and stones.

Let's lay out a few numbers.  Some basic math (if you can call it that) 1024 MB = 1 GB.  And in kind, 1024 GB = 1 TB.  A typical HD movie from iTunes will set you back 2-4 GB each.  A song from iTunes about 9 MB. If you have a 250 GB hard drive once you subtract room taken up by your OS, applications and such, you'll probably have 180-200 GB.  SO, you could put 67 HD movies, 22,200 songs or 9,090 RAW photos.  Sounds like a lot, until you run out of space.  You're not just going to have all of one and none of the others.

So at Sansom Media Inc. our dilemma is having footage spread over too many hard drives.  Here's our workflow.  Every project gets four hard drives, yup 4.  Two Lacie Rugged (500 GB or 1 TB each, depending on the project), and two 3.5 inch bare drives, usually 1 TB each.  I'll use our last commercial shoot for Rogue Fitness as an example.  While in the field, we use the two Lacie Rugged drives along with ShotPut Pro.  We'll either offload cards throughout the day or do them all at once, again depending on the project.  ShotPut Pro transfers the data to each Rugged and verifies everything.  This is a lot better than just copying them using Finder and dragging and dropping.  Mac's will write invisible files when you do this and you don't want extra stuff like that with your footage.

Once we finish the shoot we put them in our Pelican 1050 case (it fits two perfectly) and we carry them with us in a silver briefcase handcuffed to our wrist (slight exaggeration).  When we arrive to the studio we use Final Cut 7's Log and Transfer tool to transcode the footage to Apple ProRes 422.  These are now the files we'll work with.  And make sure you separate your raw footage drives to two different locations.  The two bare drives are now clones of each other, one being a back up while editing.

We have so many drives now and we're constantly pulling clips from each to create content for clients.  We need a solution that will store and distribute all the transcoded footage to multiple edit bays, be RAID 6 and not cost heaps of cash.  Here are the options we've found:

DROBO S/FS/Pro/800i/1200i $400 for 4 TB or $4,000 for 16 TB (drives not included)

• from USB 2.0 to iSCSI gigabit ethernet protocol but has a max of 125 Mb/s throughput, you can only 3-5 HD streams while editing.
• so easy a caveman's dog can use it.
• dual disk, RAID 6 style, back up
• great for business that have a lot going on but files are not HD video. (ie. documents, point of sale, brochures, images, small videos for social media. general data storage and retrieval.
• range of costs to buy and lower cost to expand

Promise Technology - Pegasus - $2,000 for 12 TB

• uses Thunderbolt and has a max of 10 Gb/s throughput or 1,125Mb/s  That's 1.25 GB/second. FAST!
• Drives aren't able to provide this speed yet (still trying to figure this one out).
• brand new and not industry tested
• no network RAID capabilities
• superb for high end editing and animation.
• average cost to buy and expand

G|SPEED FC XL - $11,000 for 16 TB

• 4Gb/s fiber channel
• all sorts of RAID configurations
• network friendly editing
• fast performance
• high cost to buy and expand

It's important to remember that RAID 5 or 6 save the space of two drives for back up so 16 TB is more like 11 TB in a RAID 6.

Our final opinion at this point.  If you're a music junkie or just have large amounts of file storage needs look at a Drobo or Drobo S.  You can have all your music, videos, family photos, Office files and more and not worry about storage again for a long while.  You can also use  file sharing on the computers at home to access files on that drive.  Wifi works, hard wired Gigabit ethernet is much better.

If you're a small retail business give the Drobo FS or 800i a try.  For small production companies, do individual workstations dedicated to specific clients and maybe one bay for the smaller, less frequent group and when you need to access media from the other dives use file sharing on the computers.  You can even write a simple apple script that will tell the computers to automatically connect to each other when  turned on.

For the larger production studios that want to have multiple bays edit off of one server the G|SPEED FC XL (fiber channel, extra large) will probably be your best bet.

Hopefully this has been helpful and not confusing.  If anything it's a good place to start as you search for increased storage solutions that suit your needs.  We'd love to hear what you've found.  Comment and share it with everyone.

Also, check out the workflow video Chase Jarvis Inc. did.  It's another great resource.

Climbing the Grand Teton For My Birthday

Photo: Ron Niebrugge / WildNatureImages.com

This one really isn't going to have anything to do with filming other than I'm glad the only camera I took was a GoPro.  So I recently had  a birthday, the number isn't as important as what I tried to do.  My old friend, Taylor Morgan, challenged me to something rad for my birthday.  I was thinking, go to Costa Rica and chilling he suggested to climb the Grand Teton. 13,770 feet of sheer rock faces, snow fields, large animal life and thin air.

We drove through the night from Salt Lake to get to Grand Teton Nation Park by 1am.  Our goal was to get there by 9pm on Thursday but work keep us both later than expected.  We arrived, started packing our gear and by 1:30am we were on our way with a 22 lb. pack on each of us.

The climb started nice.  The gradual grade of the first four miles was pretty manageable, especially for a dude climbing a 13,770ft mountain cold turkey.  Every mile I found my body complaining about something.  It started with my calves and then my hamstrings, after that my gluteus awesomeness... You get the idea.

The higher we got the slower I went.  As the sun rose and kissed the peaks of the Tetons at 6:40am we were reaching 10,500 ft.  This was where slow became really slow.  We were heading up a snow face, probably 500-600ft of vertical with crampons and an ice ax.  After that, we stowed them and made our way up to the lower saddle, which sits at 11,200 ft.

This is where really slow ends up getting ridiculously slow.  My heart began beating ridiculously fast with every 30 yards and by the time we were at 13,000 ft every vertical foot caused my heart to go into overdrive, taking minutes to calm before the next foot.

At 13,200 feet, just 570 feet from the peak I had to conceded to the mountain.  The last 500 feet required technical climbing with ropes and all over 1,500 cliffs.  I was in no capacity to even attempt such with any tide of safety.  It was a very hard decision but one that had to be made nonetheless.  I was actually very worried that I'd even be able to make it safely back the the lower saddle, let alone the 10 miles down the mountain and back to the car.

At 7:30pm and with a very sore knee and weary legs, we arrived back to the car, 18 hours after we set out.  In all, we ascended 7,200ft, 20 miles round trip and a max altitude of 13,200ft.  So aside from the surrendering short of the goal I did break any other record I had previously had, climbing more altitude, traveling more distance and maxing higher than I ever had, and I did it all in one day, with no prep.

I should give most of the credit to Taylor.  He is a fantastic climber and he is what kept me on the path every mile that I wanted to turn around.  He had a fantastic knowledge of things to eat, ways to handle situation and in the end he took me farther than I ever could have on my own.  And all along the way was my Heavenly Father watching over me.  He's the reason I got as far as I did and made it back safely too.

If you stuck with this and read the whole thing I'd like to offer you a reward so how about a pat on the back.  I'll be returning to the Grand Teton to finish what I started and I hope you're with me Taylor.